Flying to Boise from St. Augustine became a long journey. I left my condo at 4:15 am to drive two hours to the Orlando Airport for a flight to Minneapolis-St. Paul. After a layover in Minnesota, I caught a flight to Boise. Twelve hours from my start, I was met by Tony Harrison representing Taste Idaho. Tony graciously treated me to a late lunch at Boise Fry Company.
Day 7: Discover Corps Tanzania Experience Continues
Morning: The Tuleeni Orphans Home
After yesterday’s extraordinary outing with the Maasai, my Discover Corps group needs a laid-back morning. Following breakfast, however, we walk to the Tuleeni Orphans Home, just a short distance away. The Word Tuleeni is Swahili word which Means ‘care for us’.
The Ball is in a sad state.
First, we stop at the local convienence store (which we discover doubles as the local bar in the evening) and pick up food supplies to donate to the orphanage. We enter the orphanage gates, and the children swarm over us. Peter, a high school senior in our group, brings his soccer ball, and the kids join him in playing football. I look over and notice the pathetic remains of a ball lying in the corner. We need to bring these kids a new ball when we return.
Mama Faraji
We meet Mama Faraji, a woman whose face radiates love. Honestly, her face reflects light like the blessed Madonna in a Renaissance painting. How she manages to care for 100 children, the little ones within her home, and not seem stressed baffles me. She has a special gift.
Mama Faraji became an orphan in her teens and ended up raising the younger members of her family. The job suited her and thankfully she has continued in her calling.
Having fun taking selfies.
I sit down by a darling little girl who tells me her name is Happy. She shows me her room. She shares a bottom bunk bed with two other girls. The room is small but clean. We decide to take selfies with one of her roommates. Happy doesn’t like to play ball, so we begin a clapping game and then look at books. Happy makes me happy.
Happy and me
The Discover Corps participants pair up with other children. We learn that one of the oldest kids wants to become a journalist. I encourage him to start blogging on the Tuleeni website. http://www.tuleenihome.org/
Over in the outdoor kitchen, some of the older children help prepare the next meal. While these kids don’t have parents, they are connected as a family. They don’t own much in the way of worldly goods, but they are blanketed in a cocoon of care. Mama Faraji and the Tuleeni compound have a loving aura. I like the place.
Orphanage room
Afternoon: Batiking like the Karate Kid
After we return and finish eating lunch prepared by the fabulous Mama D, we move tables around in the lobby for a special treat. A group of batik artists are coming to show their works and teach us the technique. We will learn about batik painting by creating a design of our own.
Now, drawing is not my forte. I feel a bit stressed.
Drawing at the Discover Corps Compound.
Fortunately, the group of artists promises to assist us, and we all sit at the table and attempt to draw. An acacia tree is within my ability, a round sun I manage, but I want to add a lone giraffe in my picture. Thankfully, one of the artists helps me shape a giraffe head.
Beginning to wax and paint the background.
I then transfer the drawing to a piece of cloth and trace it onto both sides. After that, I head over to get help with the background color. I decide I want my sky to be a sunrise, so one of the artists covers the sun with wax and then washes on a thin layer of paint that looks like a watercolor sky. The artist helps everyone, and our projects begin to take shape.
Progress on the background.
Next, I advance to the drying station, a small outdoor grill. The cloth dries from the heat. I place in on the warm sidewalk where it continues to dry until I am ready for the next step.
Drying the cloth over hot coals.
When one of the helpers becomes free, he applies wax around the areas I want to be in silhouette.
I then apply thick black paint. The wax keeps the color from running into adjoining areas. The cloth is dried again. I then go to a grassy area and crumple the fabric and shake it to remove the wax. Wax on, wax off, just like the Karate Kid.
Painting with black.
Lastly, I ran a hot iron over the fabric to remove the remains of the wax and paint in a few touch-ups.
I was amazed. My masterpiece (and the others) are stunning. Of course, I could never created this without help, but the process was certainly fun. A relaxing, artful afternoon with a souvenir to frame. I’m loving the Discover Corps itinerary.
Getting up at 2:45 AM is never fun, but sometimes it’s worth it. Day number six of my Discover Corps experience in Tanzania was absolutely one of those.
My hiking clothes were laid out, my camera bag packed. Breakfast coffee or tea were ready at 3 AM, and I grabbed a banana to go.
By 3:15 AM, my group boarded the bus because no one wanted to miss an up close and personal meeting with a Maasai tribe. The journey takes about three hours as the roads past Arusha are not the best. The last ten or so miles include hairpin turns that carve a path down a steep dirt road.
Herding Donkeys
We arrive in time for sunrise; the awakening of the nomads. Traditional Maasai lifestyle centers around their cattle, a primary source of food. The measure of a man’s wealth is in terms of cattle and children. A herd of 50 cattle is respectable, and the more children the better. A man who has plenty of one but not the other is considered to be poor.
Our bus stops at the top of a plateau, near a tiny village containing 12 huts surrounded by prickly twigs woven into a fence. The huts are made from a mixture of dried cow dung, mud, and urine applied to a frame of intertwined branches.
Morning in the Village
Some Maasai approach us: tall , thin men in red and purple toga like outfits. In the distance, we see shepherds herding goats (no cattle as it’s the dry season and the cattle are far away). We hear birds chirping in the graceful acacia trees. We are invited into the village through an opening in the fence. Goats are bleating and milling around the interior.
Maasai Men Approach
I busy myself with my camera and then this extraordinary moment dawns on me. I am standing in a place that looks like a 3-D scene in the Natural History Museum. This is not a fabricated reproduction of a Maasai Village, this is the real thing and real people live here. I feel like I’ve emerged from a time machine, but the year is still 2015. I don’t think I’ve ever experienced such a juxtaposition before.
Women with many earrings
For the Maasai, life exists as it has for centuries. Many of these nomads have fought to retain their culture against the encroaching wishes of government and the outside world. These hills and plains are their ancestral lands and they sustain themselves by herding cattle, goats and sheep.
Debi holds the little goat
I watch as the women catch and milk goats. I find a young mother standing in a doorway with a young baby in her arms. Infant mortality is high and babies aren’t named until they are three months old. I see an elderly woman crouch outside her home. A few young men are distracted by my cameras, but the overall feel is one of warm welcome. I am even handed a baby goat for a photo op and the little fella feels so cuddly.
Maasai Woman and baby
Maasai woman talks on cell phone.
The women wear robe-like dresses wrapped around their bodies and are adorned with numerous necklaces and earrings. Some of the older women’s ear lobes hang down, extended from the weight of the jewelry over the years. Surprisingly, a few of the women have cell phones.
We leave the women and goats and prepare for a walkabout with some of the Maasai men. Hopefully, we’ll see some giraffe.
Beginning of our trek with the Maasai
The group heads out over the dry, dusty surrounding hills. Everyone must proceed carefully as nasty sticker bushes were everywhere, about the only thing thriving in the harsh terrain. The ground is uneven and some sections contain layers of rock, leftover remnants of a volcanic explosion.
Those sharp pricker bushes.
Lagging behind on the group hike.
The Maasai frequently walk long distances, but I find it difficult to keep up to the pace. I want to take in the landscape, shoot photos, but have to watch where I am going. We ask the leader to slow down, and perhaps he thinks he does. But, the trek is too speedy for me. I lag a bit behind.
We pause at an overlook, and the Maasai spot fresh giraffe droppings. We head in a new direction as quickly as possible. We climb up embankments and down dry riverbeds. We trudge through fine dust so thick it feels like stepping down on fresh snow, but my foot disappears under a soft mound of dirt. At one point, I slip on a ledge but am able to keep from falling by quickly grabbing a tree limb. Thankfully, it was not one of those pricker bushes. Someone comes to my rescue.
Now, we ,too, spy giraffe and they are majestic, graceful creatures. They graze on tree limbs in the distance. We approach slowly and also see some zebra. Everyone in the group stays quite, totally mesmerized. We can hardly believe that African animals are roaming free about 200 yards away. I feel as if a National Geographic magazine has just come to life. It’s a pinch me moment!
A Giraffe near the trees.
Sadly, something scares the giraffe and they lope off, elegantly prancing. The zebras follow. Satisfied and smug, we turn around and head back as well.
Zebras in the distance.
The sun has risen higher in the sky and the temperatures are now much warmer. Hiking uphill proves to be an effort. My back has been bothering me and I stop and take a rest. The Maasai say to proceed, ” poli-poli, ” meaning slowly, slowly and that’s the way I carry on. I was so relieved to return to the village.
A cool drink of water and a short rest, then I’m ready to join the group for the slaughter of a goat, a special occasion arranged for this day. Maasai women do not observe this ritual, but my group is permitted the privilege as a cross cultural exchange.
Suffocating the goat.
Two goats are brought forward, then suffocated by clasping hands held over their nose and mouth. This method does not cause any loss of blood which is one of the main foods in the Maasai diet. After the goats are dead, they are carefully sliced open and the organs removed. I am both curious and horrified. I’ve never witnessed a butchering before.
Beginning to butcher the goat.
Some of the organs are removed and saved for grilling, others placed in a bowl. When the cavity is nearly empty of organs, a few of the Maasai men advance, bend down, cup their hands and drink blood right from the cavity. I had not expected this and it is rather shocking. I knew the tribe mixed blood with cow’s milk to drink, but the raw blood was unforeseen. I aim my camera and click the shutter, but try to look away.
Eating the blood and organs of the goat.
Drinking blood from the goat’s cavity.
I scramble up the hill and join some of the women who were tending little ones or just sitting under the big tree. I start to photograph a small boy and he begins to cry. I stop, put the camera down, but he runs to the chief, his Daddy. This endearing moment becomes one of my favorite photo memories of the trip. You can feel the love and devotion between these two. This man, I later learn, is father to some 70 children.
The Chief and his child
I admit I notice, and try to overlook the children’s dirty clothing and feet. Water is nowhere in sight. Women must haul it back to the village (from miles away), so water is used sparingly. I understand.
Dirty Feet.
My group is invited into the chief’s hut where he explains sleeping arrangements. Mama Simba, the Discover Corps Director, acts as interpreter. He has 11 wives, each wife has a hut. There is a schedule for the wives to stay with the chief. Apparently the wives are not jealous of one another, but I have to wonder. The chief is much older than some of the women, but he is extremely charismatic. I can comprehend their attraction.
Village Women
The village life consists of the chief and unmarried family members, those 70 some children. Only after the males have become of age and passed rituals, are they considered marriageable (between 30-40 years old). When they take a wife , they move to a new village. Marriage and having children seem to be a very important part of the culture. If a husband dies, there is no remarriage.
We take a lunch break, ours prepared and eaten on blankets, picnic style. The only Maasai food on our menu is the grilled goat. Some chosen tribe members come to eat some of our food afterward. They appear to like it.
Bead Work
The women bring out their bead-work and we purchase many of their items. They use the money to buy corn meal, rice and other supplies from a Maasai Market.
Attempting to properly throw the spear.
Then, we learn to throw a Maasai spear. The Maasai use the spear to protect themselves, not to kill in a hunt. The men demonstrate the technique: the spear is to land in a vertical position. We try but none of us can replicate the results, Maasai women never throw a spear, so they laugh at our attempts.
Unmarried men parade
Men begin chanting
Finally, it is time for the dancing. The unmarried men lead a parade into the center of the village (the goats were moved out). The men stand to one side. The married women file in and stand opposite. The men chant a song and the women answer.
Women answer back
The unmarried woman enter and stand in the middle. When they answer the chant, their heads seem to rock forward and backward. The men answer back and then jump very high in the air, showing off their strength. The women chant in sing-song again. This continues until the unmarried women move closer to the men. It looks a bit like a starring match. And…then it is over.
Unmarried women approach the men.
Our time with the Maasai is also over. We have a long drive back to home base in Moshi. I think back over the day, a day of surprises I will never forget.