Tag Archives: Florida

Visit Three Centuries of History in St. Augustine’s Colonial Quarter

Costumed Performers in St. Augustine's Colonial Quarter
Costumed Performers in St. Augustine’s Colonial Quarter

The state of Florida owns the land, the University of Florida manages the property, but entrepreneur Pat Croce anted up to $3 million to fund the reconstruction of the two-acre Colonial Quarter in downtown St. Augustine.

Instead of focusing only on the Spanish period, (as did the formerly named Spanish Quarter), St. Augustine’s Colonial Quarter now encompasses three centuries of Florida history. To do so, the area is broken into four quadrants. The Spanish area includes the 16th century First City, 17th century Fortified Town and 18th century Spanish Garrison Town. The 18th century British area is called The 14th Colony and features a print shop, candle maker and Public House, a pub like restaurant.

Climb the watchtower in St. Augustine's Colonial Quarter
Climb the watchtower in St. Augustine’s Colonial Quarter

The watchtower, one of the Quarter’s highlights,  allows visitors to climb the 35-foot high structure earning themselves a fabulous view over the Castillo de San Marcos (fort) and waterfront. The tower is similar to one the earliest settlers would have built for defensive purposes.

View of Castillo de San Marcos
View of Castillo de San Marcos

During my tour, the blacksmith bantered with guests as he forged away on a “J” hook, forming it from red-hot iron. The gunsmith caught attention by firing a musket, but the boatwright proved to be the most interesting. Craftsman Gary Kennedy is actually building a 55-foot ship, called a caravel, just like the ship Don Pedro Menendez used to sail into St. Augustine. It’s a long process; in fact, one he feels could take several years.

Blacksmith in the Colonial Quarter
Blacksmith

Pat Croce said the area was designed as “Epcot meets Williamsburg; the difference being instead of countries it’s centuries.” He also said the goal was to allow visitors an opportunity to make memories.

Also memorable are the influx of costumed employees I see walking to work and overall adding to the ambiance of the city.

However, I was dismayed at the plastic plates, forks and knives offered diners in the two restaurants. When I questioned Mr. Croce, he informed me there was no room or nor permission for dishwashers. Sad fact. I regret this situation (and I certainly hope the problem gets solved soon), but the use of plastic is just wrong.

Dishes and utensils aside, I equally questioned the menu selections. The British Bull & Crown Public House offers paninis and kettle chips layered with bleu cheese dressing topped with a balsamic glaze.  They taste fantastic, but I can’t imagine them as a dish in colonial days. Hats off for offering Gato’ d’ Ametlla or Minorcan almond cake.

Bull & Crown Public House
Bull & Crown Public House

Yes, I am being harsh but with the University of Florida involved, I expected more.

Now, just so you don’t think I am overly critical of Pat Croce, I adore his Pirate Museum which sits adjacent to the Colonial Quarter. The attraction offers Smithsonian quality artifacts in an entertaining atmosphere.

Okay, I’ll give Croce and St. Augustine’s Colonial Quarter a little more time to get up to grade. And, I’ll return when they add a Colonial Revue this summer and hope to give it grand reviews.

Meal preparation in a soldier's home.
Meal preparation in a soldier’s home.

For information: www.ColonialQuarter.com.

Mysterious Entry into Tallahassee’s Speakeasy Bar: Alchemy

A Bee's Knees: Drink in Alchemy Speakeasy Bar
A Bee’s Knees: Drink in Alchemy Speakeasy Bar

Restaurant/Bar Review

A speakeasy bar in Tallahassee, Florida? You bet, but only if you can find it and know the secret word.

First make an online reservation and receive a special return message. Arrive at the Midtown Filling Station and pass a storefront of blacked out windows. Then, locate the correct doorman and say the code word. Ours was “Fitzgerald.”

You’ll be led down a clandestine alleyway to a gatekeeper. The gatekeeper stands before an unmarked door. He explains that Alchemy follows traditional speakeasy etiquette: proper attire, no men in hats, and gentlemen must go through the bartender to ask for an introduction to a lady.

Following the rules is the only way to be admitted into Midtown Tallahassee’s Alchemy: a revival speakeasy bar paying homage to those who found a way to circumvent outlawed liquor during Prohibition. A speakeasy is actually defined as,”an establishment that was used for selling and drinking alcoholic beverages during Prohibition (1920-1933, longer in some states), when the sale, manufacture, and transportation of alcohol was illegal.” The term comes from a patron’s manner of ordering alcohol without raising suspicion – a bartender would tell a patron to be quiet and “speak easy”.

Continue reading Mysterious Entry into Tallahassee’s Speakeasy Bar: Alchemy

Picasso Exhibition Opens in St. Augustine, FL

The PICASSO Art & Arena exhibition opened yesterday in St. Augustine. The show celebrates the 500th anniversary of the discovery of Florida by Juan Ponce de León. The show is also the first of many exhibitions planned as part of the St. Augustine’s 450th Commemoration.

Previewing the Picasso Bull Series
Previewing the Picasso Bull Series

The PICASSO collection includes 39 original pieces created between 1929 and 1961, on loan from the Picasso Foundation in Malaga, Spain.  They provide insights into one of the artist’s main themes: bullfighting. Bullfighting was a revered tradition in Spain, Picasso’s home country. Curator Maria D’Adamo told of Picasso’s fascination with the sport’s trilogy: the matador, picador and the bull.

The exhibition in the Visitor’s Center is set in the round, like a bullfighting ring, with two large photographic reproductions of spectators defining the space.

Faces in the crowd watch a bullfight.
Faces in the crowd watch a bullfight.

One of the highlights is a series of 11 lithographs, created between December 1945 and January 1946. They begin with a realistic drawing of the animal and succeeding works gradually reduce the strokes into a cave like primitive drawing. The final lithograph is only a few lines, but still recognizable as the animal.

 

The Bull
The Bull

I believe the bull series will appeal to both adults and children because they can clearly trace the transformation. Picasso said, “It took me four years to learn to paint like Raphael, and a lifetime to paint like a child.”

An intriguing 20-minute video is displayed on the rear wall showing Picasso painting on glass. The viewer gets to watch a work of art come to life right in front of their eyes.

In addition, the show includes some of the prolific artist’s ceramic pieces and illustrations composed for books. A timeline of Picasso’s life helps the visitor understand the stages of his artistic lifestyle.

St. Augustine Visitor Center

February 1 to May 11, 2013

www.staugustine-450.com and www.picassoartandarena.com

Picasso Banner hangs  in St. Augustine
Picasso Banner hangs in St. Augustine

View from the Balcony
View from the Balcony